Is it sacrilege to declare that the best-looking cinématographe dessus in Paris was shot by a paire of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fortune – as well as the neoclassical edifices of Mussolini’s Rome – in calme Chagrin and shards of light as sharp https://applications01234.bluxeblog.com/64841520/une-arme-secrète-pour-vendeurs